
Movies are considered to be the ultimate portals of escapism. While
entering the make-believe realm of cinema, viewers are expected to
leave behind the rules and norms of the real world. Often, Bollywood
filmmakers go a notch further and assume that the audiences have left
their brains too. BollyCurry brings you few of those movies that had
viewers raking their brains at the end with nonsensical climaxes.
The
leads Parma (
Arjun Kapoor) and Zoya (
Parineeti Chopra), indulge in a
dangerous game of love and hate in a communally charged patriarchal
society in rural India. They are forced to go into hiding out of fear of
their families who are ruthless, trigger-happy and completely
unforgiving. Yet in a moment of utter foolhardiness, Zoya declares her
wish to take Parma with her to greet her family on the occasion of Eid.
This leads us into the final sequence where both are cornered by goons
sent by respective families and then resort to killing each other in a
final act of defiance. If only Parma had stood his ground and talked
Zoya out of her foolishness!
Agneepath (2012)

The
intense and bloody climactic face-off between Vijay (
Hrithik Roshan)
and Kancha (
Sanjay Dutt) leaves both heavily battered and bruised. Yet
in the following scene, Vijay who is practically skinny when compared to
the bulky Kancha, manages to hang him from a tree all by himself. The
severity of Vijay's injuries are obvious when he later succumbs to them.
So we wonder from where did he gather the superhuman strength to do
that final act of revenge. Probably a question not to be pondered upon,
since this one has the ever-logical Karan Johar as producer.
Though
the movie is about an alien,
PK (
Aamir Khan) and his stay on earth, the
climax set in a news studio focuses on Jaggu's (
Anushka Sharma) personal
life. Her lover Sarfaraz (
Sushant Singh Rajput) had supposedly
abandoned her at the altar during their tryst in Belgium. After a phone
call to the Pakistani High Commission and then another to Sarfaraz
himself in Lahore played out on
LIVE national television, the
misunderstanding between the lovers are cleared. It is shown that
Sarfaraz was waiting to hear from Jaggu all this while as he had no
contact details of her with himself. Now the filmmakers forgot one
aspect - social media! Yes, imagine a young, fiery journalist like Jaggu
without a Twitter handle or a Facebook account. We wonder what stopped
Sarfaraz from contacting Jaggu in the first place!
If
you have just stolen USD 50 million worth of diamonds, logically the
next step would be to escape from there as fast as you can. But no, the
characters in this movie are driven by a deep sense of patriotism and
make their way back to the crime scene to perform at a dance competition
and win the trophy. The no-logic-allowed train chugs on and it is later
revealed that Charlie (
Shah Rukh Khan) not only replaced the fake stones
in the championship trophy with the stolen diamonds but also hid the
fake ones in ice cubes as a diversion. So this can mean only two things -
Charlie carries superglue with him wherever he goes and they have a
refrigerator with quick ice feature on standby!
The first thing that went
Bang Bang during
the making of this movie must have been a well written script, probably
why the leads Rajveer (
Hrithik Roshan) and Harleen (
Katrina Kaif) are
shown to run from one gunfight to another with the end nowhere in sight.
And once the movie ends, the last thing that went
Bang Bang might
well be the viewers' minds, as there is no way on earth Rajveer would
have survived after a fierce gunfight where he actually gets shot in the
gut along with an explosion in aircraft in the near vicinity. Apt title
for the movie, we must say!
The fact that most of
those films with nonsensical climaxes are 100 cr blockbusters says a
lot about the taste of the audience. Maybe its because these movies
indeed serve their purpose - offer entertainment at any cost, even if
common sense gets shot! Comment below and let us know which are the movies that you feel had such non-sensical super climax sequences!
Writer: Aishwarya S.
Editor(s): Peehu A. & Hershi J.
Graphics: Komal P.
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